![]() As they zip through the city, they alight on The Ritz, beset by paparazzi and lookie-loos and just people everywhere. The footage predates things like iPhones and Instagram and TikTok, but the effect is the same, an immediacy to the material that feels a bit too personal. The effect is, at first, jarring: The film opens inside a car as a group of friends wheel around Paris at night. ![]() Ed Perkins’ remarkable documentary “The Princess” eschews many of the trappings we’ve come to associate with the modern documentary - again, there are no talking heads in the film, no little bits of snazzy knowledge, nothing to contextualize it beyond our own broad knowledge of the dearly departed princess - and Perkins instead relies on a wealth of contemporaneous archival footage to weave his story.
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